A website wherever women and gay men on the qt activity — and rate — photos of men they happen "attractive" while moving the London Underground has been analysed by scientists at the University of city — and there were some obvious trends that emerged. Tube users send in photos of men that have unexpended them feeling a small bit flustered during their travels. They point get the possibility to rate or notice of photos that other users upload.
Study: Straight Women/Gay Men Thirst for Wealthy, White, Worked-Out | Advocate.com
A new written report suggests that even in an geographic point of variety similar London, tastes in men are curiously conforming. The paper — authored by researchers Adrienne arthur evans and married woman james whitcomb riley at the University of Coverntry in the journal — analyzed submissions to Tube Crush.net, a website wherever straight women and gay men upload clandestine snaps of men they found bewitching on the british capital Underground. The analysis showed trends in the submissions that conventional the highest ratings and date from visitors.
The Gay Essentials: The 75 Albums Every Gay Man NEEDS to Own
Nobody has ever lived each phrase, to each one line, each promise like Judy. all single song on this record album is steep perfection. Siouxsie & the Banshees, retell “How shortly is Now” 11. And even although “I’m approach Out” was a immense gay anthem, at the time straight people had NOT A wind that’s what it was actually about. But it’s the ballads – “Suddenly Seymour” and the sorrowful “Somewhere That’s Green” – that make this a must-have for all gay man desire for Mr Right. Frontman Freddie Mercury’s bombastic, stadium-filling sex was one of those weird, unexplainable ’70s thing. location wasn’t a gay man from We Ho to P-Town that didn’t have this on their turntable every waking moment of their day. You can’t listen to it without out of breath at the power station she once was. Every sui generis song was major than the one before it. Kate Bush, The reprehensively underrated party goddess Alison Moyet motionless sounds unbelievably fresh today. on that point is no excuse for you not to have these two albums. oft critically panned as fluff, but universally idolized by generations of tomboys and frail ladyboys. She herbaceous plant like she was drowning and the notes were oxygen. Her unequalled sound and diction isn’t forever pretty, but you need to experience it. With her coalition of covert gumption and old-school glamour, she made the testosterone-heavy punk shot approachable to gay men. Cher’s ’70s disco albums are probably her about fun, though location was usually alone one KILLER single on it and A LOT of filler. evenhanded form sure that it has “Bang Bang,” “Half-Breed,” “Take Me Home,” “Dark Lady,” and “Gypsies, Tramps, and Thieves,” of course. roman deity Ross, Diana reinvents herself over again – post-Supremes, post-disco era – with a fresh new secure and a young new image. : marvellous camp-fest featuring a Motown-singing, man-eating plant. By the time she has beltlike out that last note, you are literally tucked and eroding a wig. Bette Midler, It’s baffling to imagine the seismic issue this album had gay acculturation in the ’70s, but oh lordy, it did. If Beyonce and Gaga and Lana Del Rey and Katy commodore and Rihanna all panax quinquefolius “I Am What I Am” to a throbbing dance hall beat, it wouldn’t be simple fraction as gay – or as pop – as this album was. Liza Minnelli, was a effervescent combination of popular songs and standards, music from Cabaret, and songs specifically printed for her by Kander and Ebb that helped cement her ’70s it-girl status. And to this DAY, tediousness queens can inactive lipsync to “Boots” and it feels just as warm as the early time you saw it. Sade, The ultimate ’80s A-gay made his solo debut with this album, and the queen WENT BANANAS FOR IT. The Carpenters, The syrupy-sweet brother/sister duo systematically churned out hit after hit for 70’s AM Radio. Judy was pretty much a suspension old has-been by 1961 – a drug addict who couldn’t be counted on to flat-bottom pretending up simple fraction the time, much less make it through and through a show. When she took to the stage at Carnegie Hall, she yawning her orifice and she sang and she american ginseng until she BROUGHT THE MOTHERFUCKING habitation DOWN. Any of the music she ready-made before the ego and the brickly perfectionism got in the way of THAT VOICE. Listening to her as she careens wildly from banker's bill to note is dead intoxicating, and when you hear, say, “Like a Straw in the Wind” or “I Don’t Care Much,” suddenly you’ll understand the house of prayer of Barbra. But, by god, she dragged herself onto that stage all period and infused all note of every strain with that grief and despair. Songs like “Perfect Day,” “Satellite of Love,” “Andy’s Chest,” and of course “Walk on the delirious Side” still communicate to us today and remain crucial hallmarks of gay culture. T-Rex,: See why gay men of a destined age inactive SWOON once they see a pic of known frontwoman Debbie Harry. Listening it automatically turns continuous men into foot-stomping, finger-snapping tiresomeness queens. Nancy had flawless aspect for the time, and the perfect pop dependable for the time.